Does it make sense now classic Lomographic cameras than any digital camera can simulate the effect? What leads a person to shoot with a camera that if anything stands out is its limitations? The video that we present to DigitalRev TV comes to dealing with these questions.
The idea is interesting: Olympus E-face LP2 your host, Kai Wong, using his artistic filters with a Lomo LC-A reel at the hands of Mijonju , a known lomographer Japan.
The end results are quite disparate, with the effects of saturation and vignetting much higher in the Pen in the real Lomo. It is also true that only a filter has been tested specifically with a particular configuration, and other “canned Lomographic effects” can give results closer to the actual experience of the film.
My summary would be that the final results are not important if we want to bring this type of photography, where what matters is the light-hearted approach, proximity, speed, framing risky, and a combination of great intuition and little reflection. In the end, any camera can do lomography as we encourage to do so, and artistic effects or deep vignetting only be useful if you really help us achieve this motivation.
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Lomography vs classical. Digital Lomography