Learning with Adobe Camera RAW (I)
One thing the last time many of you demanded was that we were talking about editing RAW files, or rather the raw files revealed. Our colleague Javier Prieto recently told us the advantages of using RAW + JPG in this series from the beginning, of course not, that the RAW file is much better for all. OK, maybe as I said, if I put the camera in burst mode, go a little slower, but it will depend on the write speed of our memory card. This we can see from the specifications of our memory card. Santiago Diaz also recently told us his trick express to reduce the noise by using multiple sockets , ultimately to be put to work the RAW files. One thing I want to make very clear is we will try to flee technically very complicated and try to explain things as simply as possible and with real examples. This course is designed to start from scratch, but you can always learn something.
If we start accepting the fact that RAW file is much better, we will consider the following benefits always present: No quality loss in the JPG format and RAW is free from visible compression artifacts, such as JPEG compression levels softer. Also through the RAW development can squeeze much more data if we work on JPG. For this series of articles will use the Adobe Camera RAW in version 6. We’re not saying not to be the best or the only program, but perhaps the most widely used. So depart from the most basic level, knowing the menu and the information you provide us 6.x Adobe Camera RAW to more advanced levels where they learn to perform various types of disclosed with their exercises. Because, yeah, sometimes hang a RAW file and you will have to be applying the concepts used and the exercise. It is not if the image in this case is well made, good or bad, sure you will put me hit it, but to process it as best possible by the concepts we learn.
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